Posts Tagged ‘art’

Decorative Mask African Stone Decor

Sunday, January 15th, 2012

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‘Art Deco’ was a mainstream international design movement, propagating over a span of fourteen years, from 1925 to 1939. It played a essential role in the development and the progress of Modern Art. The Deco Movement embodied a blend of the dissimilar progressed ornamental art styles, for the most percentage from 1920s and 1930s. These styles were the derivatives of assorted state-of-the-art painting philosophies of the twentieth century, including ‘Neoclassical,’ ‘Constructivism,’ ‘Cubism,’ ‘Modernism,’ ‘Art Nouveau,’ and ‘Futurism.’ The Deco motion influenced respective ornamental arts, such as architecture, interior designing, industrial designing, and visual art forms like fashion, painting, graphic arts, and cinema.

The term ‘Art Deco’ was coined in an exhibition, ‘Exposition Internationale des Arts Decoratifs et Industriels Modernes,’ held in Paris, in the year 1925. The exhibition was coordinated by galore French artists to publicize the creation of a new genre of art, adapted to the contemporary lifestyle, a distinct sense of individuality, and fine workmanship. The organizers of this exhibition were the members of the society, ‘La Societe des artistes decorateurs,’ including, Hector Guinmard, Eugene Grasset, Raoul Lachenal, Paul Follot, Maurice Dufrene, and Emily Decour. The term ‘Art Deco’ however, gained widespread acknowledgement only in the year 1968, when art historian Bevis Hiller, came out with his standard book, ‘Art Deco of the 20s and 30s,’ and coordinated an exhibition, ‘Art Deco,’ at the Minneapolis Institute of Arts.

This motion was discerned for it is abstraction, manipulation, and simplification of specified geometric shapes, and a bright use of colors. The bold color schemes and blending curves were the focal points of the true ‘Deco’ creations. The so-called ‘ancient arts’ of Africa, Ancient Egypt, and Aztec Mexico, conspicuously inspired this movement. In the age of machines and streamline technology, the use of materials, such as plastics, enamels, harden concrete, and an strange type of glass, ‘vita-glass,’ mainly affected the movement. There is sufficient proof to indicate the employment of materials, like aluminum, stainless steel, lacquer, inlaid wood, along with exotic materials, like zebra and sharkskin.

The Empire State Building, widely known and honored for it is pyramid-like structure, and the Chrysler Building, known for it is multi-arched dome, are the living examples of the ‘Deco’ style. The motion even outlined the fashion industry of Paris in the 1920s. The dresses sported big chromium buttons, head-hugging cloche hats worn with huge fur collars, dangling earrings, and so called ‘bobbed hairstyles,’ all amounting to exclusively new and revolutionary look. The BBC Building in Portland Place and the basement of the Strand Palace Hotel, London are the examples of the pure ‘Art Deco’ style. The popularity of this motion took a beating for the duration of late 30s and 40s, but regained it is lost sheen with the surge in the following of ‘graphic designing’ in the 1980s.


Decorative  Mask  African  Stone  Decor

Decorative Mask African Stone Decor Picture

Decorative  Mask  African  Stone  Decor

Decorative Mask African Stone Decor Photo

Decorative  Mask  African  Stone  Decor

Decorative Mask African Stone Decor Photo

Decorative  Mask  African  Stone  Decor

Decorative Mask African Stone Decor Picture

Decorative  Mask  African  Stone  Decor

Decorative Mask African Stone Decor Photo

Decorative  Mask  African  Stone  Decor

Decorative Mask African Stone Decor Photo

The masks of the Marka (a Mande subgroup) originated in the landlocked country of Mali, West Africa. Long ago masks such as the Marka were thought to be exceedingly powerful and had the capacity to frighten away evil spirits, convey messages from the spirit world and heal illnesses. The Marka would carry out ceremonies committed to fishing and farming, and their stylized masks would be danced to invoke the spirits to grant the community with plentiful agricultural yields and a successful fishing season.

The masks of the Marka are narrow and austere, with a sharp chin. They are brightly painted or coated with metal along with raised ornamentation, achieving a fine ornamental effect that is very distinguishable and dissimilar from most other African mask styles. The men of the Marka, clad in costumes of colorful cloth, always appear in pairs to represent man’s wooing of woman. The most characteristic deviation from the Bambara style is the cover of metal sheeting worked in conjunction with three metal bars attached to the forehead and red cotton at the end of each. The Marka society applied this mask in two rituals, at the circumcision ceremony of adolescents, and when circumcised men advance from one grade to another. Along the Niger River the Marka applied the masks in ceremonies related to fishing and farming.

This ethnic group is independent from the Bambara tribe but their styles show a strong Bambara influence. They live in the region that extends from the north of the Bambara to the Senegalese border. They live primarily from agriculture with some subsidiary cattle rearing in the northern portion of their territory. The arid savanna permits no more than a subsistence economy, and the soil produces, with a great deal of difficulty, millet, rice, and beans.

Fertility played an indispensable role in African Agricultural ceremonies. They were based on the idea that through the rectify rituals, man could raise up the critical forces dwelling in a mask by benefitting the benediction of his ancestor in order to aid fertility and consequently achieve shelter and primary security. The Agricultural Festivities the Africans celebrated were performed at dissimilar stages of the crop cycle. This crop cycle started with clearing of the land, then the planting, the reaping of the fruits, the harvest and in the end the filling of the feed stores. The conception of these festivals was the sacredness of the soil, which belonged to the ancestors, or the “masters of the soil”. A successful harvest hence depended on the thanksgiving of the ancestors or now and again upon the good will of the goddess of the earth. African Masks


Decorative Mask African Stone Decor

Passport mask paperweights refer back to little masks that served as stand-ins for their full-size counterparts for the duration of travels from home and in queer ceremonies.

  • Amazon Sales Rank: #1444019 in Home
  • Color: Baule
  • Brand: The Crabby Nook
  • Ivory Coast Baule Passport mask paperweight.
  • Hand carved from soapstone by Gusii artisans in western Kenya.
  • MEASUREMENTS: 6″ Length x 2.5″ Width
Decorative Mask African Stone Decor

Decorative Mask African Stone Decor Image

Decorative Mask African Stone Decor

Decorative Mask African Stone Decor Picture

Decorative Mask African Stone Decor

Decorative Mask African Stone Decor Photo

Decorative Mask African Stone Decor

Decorative Mask African Stone Decor Photo

Decorative Mask African Stone Decor

Decorative Mask African Stone Decor Pic

Decorative Mask African Stone Decor

Decorative Mask African Stone Decor Image

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